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REGIONAL
NEWS
INTERNATIONAL
LISE OLSEN has just completed dialect coaching Phyllis Nagys The
Strip and will be directing The Tempest and Anna Karenina in the new year.
She has also coached dialects for Cameron Mackintoshs new West End
musical, The Witches of Eastwick. Lise will also be appearing (as herself)
as one of the finalists on BBCs Masterchef, the British Grand-Prix
of amateur chefs
cooking American regional specialties.
SOUTH EAST
WENDY HAGENOW, Virginia Commonwealth University, in her second year of
graduate study, coached Lonely Planet in the fall, and during the
winter coached Betrayal, both at VCU. Also at VCU, she performed the role
of Jacques in As You Like It last fall, and will perform Mary L in Time
Of Your Life in the spring. She also appeared in the HBO miniseries The
Corner, as a parent.
ELISA LLOYD, Emory University, coached Chess and A Christmas Carol, both
directed by David H. Bell, and Shadowlands, directed by Susan V. Booth,
at the Alliance Theatre. She coached the world premiere of He Looks Good
in a Hat at the Alliance Studio, and Romeo and Juliet at the Georgia Shakespeare
Festival. At Theatre Emory, she coached two evenings of Beckett one-acts,
and played Mrs. Solness in a new adaptation of The Master Builder, directed
by Vincent Murphy. Other coaching during the winter included the world
premiere of Robert Schenkkans Handler (his first full-length play
since The Kentucky Cycle) directed by Chris Coleman at the Actors
Express, and
Lonesome West, directed by Jeff Adler at the Horizon Theatre Company.
CAROL PENDERGRAST, UNC-Wilmington, again sends news of yet
another move. For those who want to contact her, Carols e-mail is
still the same:<HYPERLINKmailto:pendergrastc@uncwil.edu
<pendergrastc@uncwil.edu>. She is teaching for both the Theatre
and
Communications Studies Departments at the University of North Carolina
at Wilmington, and living one block from the beach. She attended the ITI
conference in January, on international theatre practices. Carol also
played Olga Katrina in You Cant Take It With You under the direction
of Frank Capra Jr. in February.
BONNIE RAPHAEL, UNC-Chapel
Hill, will be playing the role of Zofia in a StreetSigns Theatre production
of Tongue of a Bird in February in Chapel Hill. It will give her a chance
to brush up her Polish accent! At the same time, she will be coaching
PlayMakers productions of The Glass Menagerie and Wit at the University
of North Carolina.
JANET RODGERS, Virginia Commonwealth University, as Head of Voice and
Speech, has been supervising the work of 4 MFA students who are
working in the area of Theatre Pedagogy with an emphasis in Voice and
Speech. She has received a Faculty Leave Grant for spring of 2000 to work
on the VASTA Voice and Speech Exercise Book, that will be published by
Applause. She will be asking you all for exercise contributions. In May
she will take a group of 12 students to Romania, Greece and England to
work on vocal
extension on mountaintops, amphitheaters and in castles. In England, they
will spend a week working on vocal archetypes with Frankie Armstrong.
EAST CENTRAL
R. TERRELL FINNEY, University of Cincinnati, will direct As You Like It
as part of UCs 1999-2000 main stage season. In addition, he recently
served as a consultant to the Theatre Department of Belmont University
in Nashville, Tennessee.
LINDA GATES, Northwestern U, finally has her book Voice for Performance
in the bookstores (published by Applause). Shes just coached Hysteria
at Steppenwolf Theatre which was directed by John Malkovich and shes
now working on Desire Under the Elms in an inter-racial production directed
by Walter Dallas from The Freedom Theatre in Philadelphia. The Freedom
Theatre and the Court Theatre in Chicago teamed to co-produce the show
that will appear in both theatres. The dialects are African/American and
Southern Georgia where it has been set. Shes also coaching Orsons
Shadow at Steppenwolf, a new play by Austin Pendelton, based on the true
story of a production directed by Orson Welles of Ionescos Rhinoceros
at the Royal Court in the l960s staring Laurence Olivier and Joan
Plowright. The real challenge is trying to get the voices of current actors
to sound like the real Olivier, Plowright, Wells, Vivien Leigh and Kenneth
Tynan.
TIM GOOD, Elmhurst College, is the new Director of Musical Theater at
Elmhurst College. Tim wrote the curriculum for the major, which was just
approved for Fall 2000, including intensive courses in Voice and Movement
for the Actor. He is taking a group of students to New York in January
as part of the course in avant-garde theater. Most have never been, so
it will be a new adventure for them! We should all plant some trees well
never sit under.
DEBRA HALE, Indiana U, vocal coached Pygmalion at Indiana Repertory Theatre,
Suddenly Last Summer, Woyzeck, and Midsummer Nights Dream at I.U.
in Bloomington. She brought in Dennis Krausnick of Shakespeare and Company
to work with the actors and directors and she directed the last studio
show of the university season, Top Girls.
MICHAEL KACHINGWE, Northern Illinois, during this past year received tenure
at NIU thanks to fellow VASTA members Kate Burke and Arthur Lessac. February
26, 1999 brought the third childKudzai Michael to his family.
For Iowa Summer Rep. he acted in Joe Turners Come and Gone and Ma
Raineys Black Bottom. He also directed Fences in Iowas first
Equity
summer festival. Earlier in the year he directed Flyin West at New
American Theatre in Rockford, IL. This spring he will be performing the
role of Cassio in Othello at New American Theatre. He wishes to dedicate
his performance to the passing of his father Ernest in December.
SANDRA LINDBERG, Illinois Wesleyan University, on August 9, 1999 had a
9 lb 1 oz. baby boy named Isaac Gustav Galewsky (father, Sam Galewsky).
Five weeks later she began rehearsals for Hair for Illinois Wesleyans
School of Theatre Arts main stage. The show ran for six performances in
October. Sandra will be presenting a paper about directing this show at
the Mid-America Theatre Conference in St. Louis in March. Also, shell
play Mary Todd
Lincoln in a new play focusing on Marys life after the presidents
death to tour Illinois in July.
BETH MCGEE, Associate Professor Case Western Reserve University,
dialect coached productions of A Kiss for Cinderella at the Cleveland
Play House and Brigadoon at the Willoughby Fine Arts Center. She once
again acted in the Great Lakes Theater Festivals production of A
Christmas Carol.
CHUCK RICHIE, Kent State, had a fabulous time at his first VASTA
Conference and then was swept right into a very busy Fall teaching a full
class load at Kent State, including dialect coaching Chay Yews Porcelain
at Clevelands Dobama Theatre. And on a more mundane level, Chuck
dealt with how to get rid of the billions of leaves that collected all
over the three acre yard of his new house! He is looking forward to another
dialect coaching job at Dobama, The Trestle at Pope Lick Creek (thanks
Rinda Frye, Jack Horton, Ginny
Kopf and Susan Coromel for help and tapes), and will be doing all the
voice and text coaching for Kents production of Hamlet, as well
as playing the role of the First Player.
KAREN RYKER, University of Wisconsin-Madison, is just returning from sabbatical.
During the semester of R&R, she joined Liz Wiley and Lise Olson (and
Rocco dal Vera in
absentia) in presenting panel and workshops on Voice in Violence
at the Paddy Crean Fight Workshop, Edinburgh Fringe Festival. Karen found
collaborating with these voice colleagues and sharing their work with
the British Fight
Society and International Order of the Sword and Pen
inspiring. She also took a terrific weeks voice and movement workshop
with Frankie Armstrong and Darien Pritchard at Kinnersley Castle in England,
and a 10-day workshop with Mirka YemenDzakis (who hopefully will present
a sample of her work at our 2000 VASTA conference) in Monemvasia, Greece.
She looks forward to serving the VASTA
membership as a new board member, and enjoyed her first Board meeting
in November. She also managed to re-build the garage, paint bubbles on
the barn, and spend some
quality time at home, so domestic life was not ignored.
TYNE TURNER coached King Lear, Troilus & Cressida, and Midsummer Nights
Dream for the Utah Shakespearean
Festival summer of 99. Fall 99 she coached The Game of Love
& Chance Adapted/Translated/Directed by Stephen Wadsworth at Seattle
Repertory Theatre. January 00
returned Tyne to Seattle where she coached As You Like It for the Rep
as well as Arizona Theatre Company. She
returned home to Milwaukee in February to coach and act in The Winters
Tale and Pygmalian for the Milwaukee
Chamber Theatre; then its back to Utah for the 2000
season. Five year old Chris and Elizabeth and seven year old Teddy are
holding up well, despite Moms absences, thanks to the greatest Daddy
on earth.
WESTERN
FRAN BENNETT, Cal Arts, was chosen as a guest star on the first and third
episodes of City of Angels which
appeared on CBS, January 16 and 26, 2000. Fran was also a guest star on
the January 20, 2000 episode of Chicago Hope.
LINDA deVRIES recently directed the Road Theatre
production of The Importance of being Earnest, and CSU-Northrides
production of Cymbeline. She also
choreographed The Marriage of Figaro at CSU-Northridge as well. Linda
continues her vocal coaching and recently completed Tainted Blood for
the Road Theatre (in Los
Angeles) and Gardenia for CSU-Northridge.
KATHLEEN DUNN is currently working with a colleague, Mary Thomas Sala,
in developing a coaching business called Vibes. The service
will include coaching in the following areas: voice, speech, movement,
audition techniques, and acting.
KRISTEN LOREE has been having babies for the last few years and also running
a small theatre in Albuquerque. Her latest creative performance endeavor
is Ursonata by Kurt Schwitters (it is a gymnastic piece for the month,
a phonetic poem in German). Kristen will be performing the piece in Albuquerque
in February and then touring it to Baltimore in March.
KATHRYN MAES just recently completed dialect
coaching the Charter Horse Companys production of A View From The
Bridge (in Denver). Kathy will be vocal coaching the world premier production
of Robert Vaughns play,
Praying for Rain with Curious Productions (Denver). Kathy will also be
returning to St. Petersburg, Russia in May to conduct voice workshops
in the drama department at the St. Petersburg University of Humanities
and Social Science.
JOAN MELTON coached Once in a Lifetime, Oklahoma!, Deviant Craft, and
Six Degrees of Separation for Cal State Fullerton during the fall semester,
and did a workshop for actors and singers with Catherine Fitzmaurice in
New York City, December 17-21, 1999. She participated in a NATS workshop
on Belting in Miami in January, and taught in the Fitzmaurice workshop,
also in Miami. She was guest artist in the International Programme at
the Central School of Speech and Drama, teaching workshops for the Voice
course and the Musical Theatre Programme. She is taking the
certification course in Pilates-based work and will complete the training
in June, 2000.
WEST CENTRAL
PAUL MEIER, University of Kansas, has been coaching Caryl Churchills
Fen, researching the East Anglia dialect required for that show with the
help of his former RADA student, Joan Washington, the plays original
dialect coach at the Royal Court. IDEA, which he founded and directs [see
page 4], now has in excess of one hundred dialect samples. In his position
as Associate Editor for Pedagogy for The Voice and Speech Review he has
been busy preparing for the first
issue. Many of his books on tape can now be accessed on line at <HYPERLINK
http://www.audiohighway.com <www.audiohighway.com> by searching
for the publisher, Knowledge Products. Paul voices the characters of Plato,
Alfred Marshall, John Maynard Keynes, Nietzsche and other historical figures
in the Audio Classics series. He also is busy dialect and text coaching
Henry IV Part 1. Ride With the Devil, that Paul dialect coached, opened
nationally in
theatres to good reviews over Christmas.
FRED NELSON was resident voice coach for Shenandoah Shakespeare Express,
Staunton, Virg. for their Summer/Fall 1999 productions of Hamlet and Much
Ado About Nothing.
SOUTHERN
LOUIS COLAIANNI, U. Of Missouri, has been appointed Associate Editor of
Pronunciation, Phonetics, Linguistics, and Dialects for The Voice and
Speech Review. He taught this summer for nine weeks at the American Conservatory
Theatre Summer Training Congress. He is coaching the
Missouri Repertory Theatres production of Gross Indecency. He has
recently coached productions of The Beauty Queen of Lennane and The Judas
Kiss at the Unicorn Theatre in Kansas City. Louiss biography was
included in the
millennium edition of Whos Who in the World.
LYNN METRIK joined the faculty of the newly formed Dallas Summer Musicals
School of Musical Theatre, where she teaches acting, voice/speech, accents
and dialects. She is also teaching at the Dallas Childrens Theatre
in their
Simply Shakespeare program. She served as a cantorial soloist
at Temple Shalom in Dallas, TX and at Beth El
Congregation in Fort Worth, TX. Aa a part of the
contemporary Jewish folk duo Lisa and Lynn, she
performed in Columbus, OH, Los Altos Hill, Oakland, CA, Fort Worth, TX,
and Westfield, NJ. Lisa and Lynn just
released their second recording In the Light, 12 original
songs of peace, healing, love, and freedom. You can check it out on their
website: <HYPERLINK http://www.lisaandlynn.com<www.lisaandlynn.com>
NEW ENGLAND
NANCY HOUFEK, Head of Voice & Speech, American
Repertory Theatre, Harvard University, coached Ivanov with Debra Winger
and Arliss Howard, The Idiots Karamazov directed by Karin Coonrod, Loot
directed by Andre Belgrader, and Full Circle directed by Robert Woodruff
for the A.R.T. Mainstage. For the Institute for Advanced Theatre
Training, she coached All My Sons and Sarita. Nancy has also created a
program for The Institutes first M.F.A.
candidate with voice emphasis, Patricia Delorey, who will study with her
at the A.R.T. and travel to Moscow in Spring 01 for a residency
at the Moscow Art Theatre School.
MARYA LOWRY, Brandeis U., played the title role in a
radio dramatization of Sarah Oren Jewetts, The Flight of Betsey
Lane, for broadcast on National Public Radio, as part of the award winning
Scribbling Women Series.
NEWSLETTER
REGIONAL EDITORS
The regional editor for your area should contact you at appropriate times
to invite you to submit your professional news for publication in the
Newsletter. Feel free to contact her or him at any time.
NEW ENGLAND (ME, VT,
NH, CT, MA, RI)
Marya Lowry
60 Tolman Street
West Newton, MA 02465
Home phone: (617) 244-7838 Work Phone: (781) 736-3341
Fax: (617) 244-2487
lowry@brandeis.edu
MID-ATLANTIC (NY,
PA, NJ, DE, MD D.C.)
Donna Snow
Department of Theatre
School of Communications & Theatre
Temple University
1301 W. Norris St
Philadelphia, PA 19122-6075
Phone & Voice-mail: (215) 204-8652 Fax: (215) 204-8566
dsnow@unix.temple.edu
WESTERN (MT, WY, ID,
UT, CO, NV, AZ, NM, WA, OR, CA, AK, HI)
Kathryn Maes
Dept. of Theatre, Film & Video Production
College of Arts and Media,
University of Colorado,
Campus Box 166
P.O. Box 173364
Denver, CO 80217-3364
Phone: (303) 556-4797 Fax: (303) 556-2335
kmaes@carbon.cudenver.edu
CANADA
Anne Scrimger
Mount Royal College
Dept of Theatre and Speech
4825 Richard Rd S.W.
Calgary, Alberta
Canada T3E6K6
Phone: (403) 240-8940 Fax: (403) 240-6215
ascrimger@mtroyal.ab.ca
SOUTH EAST (WV, VA,
NC, SC, GA, AL, FL, TN, KY)
Christine Anne Morris
Duke University Drama Program
Box 90680
Durham, NC 27708
Phone: (919) 660-3348 Fax: (919) 684-8906
cmorris@duke.edu
EAST CENTRAL (OH,
MI, IN, WI, IL)
Karen S. Ryker
Dept. of Theatre and Drama
6173 Vilas Hall,
821 University Ave.
Madison, WI 53706
Phone: (608) 263-2329 Fax: (608) 263-2463
ksryker@facstaff.wisc.edu
WEST CENTRAL (MN,
IA, ND, SD, NE, KS)
Shawn Muller
2116 W 15th #6
Lawrence, KS 66049
Phone: (785) 840-0115
shawnm@sunflower.com
SOUTHERN (MS, LA,
MO, AR, OK,
TX)
Deborah Kinghorn
University of Houston
School of Theatre
Houston, TX 77204-5071
Phone: (713) 743-2915 Fax: (713) 749-1420.
dkinghorn@uh.edu
COUNTRIES OTHER THAN
US AND CANADA
Linda Cartwright
7 Raines Ave.
Forrest Hill, Auckland
New Zealand
Home phone: (64-9) 410-8243 Work phone: (64-9) 815-4337 x 7106
Fax: (64-9) 815-4347
cartwright@unitec.ac.nz
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