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Gwendolyn Schwinke

Gwendolyn Schwinke
2024 Markham Ct
Chapel Hill, NC 27514

Languages Spoken

English

About Business

Gwendolyn Schwinke is Resident Vocal Coach at PlayMakers Repertory Company and teaches in the MFA program at PlayMakers/UNC-Chapel Hill. She is also a Company Member at Shakespeare & Co., where she frequently works as voice/text/dialect coach and serves on the Training Faculty.


She has worked as a voice, text, dialect and/or Feldenkrais coach with Prague Shakespeare Company, Queensland Shakespeare Ensemble, and in the US: Atlantic Stage, Oxford Shakespeare Festival, Frank Theatre, Cheap Theatre, and in multiple university productions. Gwendolyn is also a playwright, devisor, director, actor, and a proud member of Actors Equity.


Gwendolyn is a Designated Linklater Voice Teacher and Linklater Teacher Trainer, as well as a Certified Teacher of Colaianni Speech and Accent work. She has taught voice, movement and/or acting for numerous institutions including Coastal Carolina University, CAP-21, Binghamton University, University of Northern Iowa, Macalester College, Illinois Wesleyan University, and The Linklater Centre for Voice and Language. She is a Certified Feldenkrais Movement Teacher and has taught Feldenkrais in professional theatres, universities, fitness centers, senior centers and continuing education programs in the US and Czech Republic.


Gwendolyn's professional acting credits include work with PlayMakers Rep, Oxford Shakespeare Festival, Carlyle Brown & Company, Frank Theatre, Minnesota Shakespeare Project, The Playwrights' Center, Pulse Ensemble Theatre, and Atlantic Stage. 


Her work as a playwright has been produced or developed by Red Eye Collaboration, The Seattle Repertory Company, The Jungle Theatre and off-Broadways’ Cherry Lane Theatre among many others. Her original devised work has been produced by art galleries and theatres including Walker Art Center, Intermedia Arts Minnesota, The Jungle Theatre, The Playwrights Center and Shakespeare & Company.

Additional Information

Gwendolyn
she/her
Gwendolyn Schwinke is Resident Vocal Coach at PlayMakers Repertory Company and teaches in the MFA program at PlayMakers/UNC-Chapel Hill. She also frequently works at Shakespeare & Co., where she serves as voice/text/dialect coach and Training Faculty.

She has worked as a voice, text, dialect and/or Feldenkrais coach with Prague Shakespeare Company, Queensland Shakespeare Ensemble, and in the US: Tennessee Shakespeare Company, Atlantic Stage, Oxford Shakespeare Festival, Frank Theatre, Cheap Theatre, and in multiple university productions. Gwendolyn is also a playwright, devisor, director, actor, and a proud member of Actors Equity.

Gwendolyn is a Designated Linklater Voice Teacher, Linklater Teacher Trainer, and a Certified Teacher of Colaianni Speech and Accent work. She has taught voice, movement and/or acting for numerous institutions including Coastal Carolina University, CAP-21, Binghamton University, University of Northern Iowa, Macalester College, Illinois Wesleyan University, and The Linklater Centre for Voice and Language. She is a Certified Feldenkrais Movement Teacher and has taught Feldenkrais in professional theatres, universities, fitness centers, senior centers and continuing education programs in the US and Czech Republic.

Gwendolyn's professional acting credits include work with PlayMakers Rep, Oxford Shakespeare Festival, Carlyle Brown & Company, Frank Theatre, Minnesota Shakespeare Project, The Playwrights' Center, Pulse Ensemble Theatre, and Atlantic Stage.

Her work as a playwright has been produced or developed by Red Eye Collaboration, The Seattle Repertory Company, The Jungle Theatre and off-Broadways’ Cherry Lane Theatre among many others. Her original devised work has been produced by art galleries and theatres including Walker Art Center, Intermedia Arts Minnesota, The Jungle Theatre, The Playwrights Center and Shakespeare & Company.
PlayMakers Repertory
Resident Vocal Coach
Shakespeare & Company
Voice/text/dialect Coach, Training Faculty
MFA in Acting, Illinois State University
BA in Theatre, Drury College
Designated Linklater Teacher
Linklater Teacher Trainer
Certified Teacher of Colaianni Speech and Accents
Guild-certified Feldenkrais Teacher
1:1 Coaching
Acting
Directing
Group Coaching/Workshops
Movement
Open to Mentoring a VASTA member
Pedagogy
Presence
Shakespeare
Speech & Dialects
PlayMakers Rep: Resident Vocal Coach
UNC-Chapel Hill Professional Actor Training Program: Faculty
Shakespeare & Co: Voice & Text Coach, Training Faculty
Actors Equity: member
VASTA: member
Feldenkrais Guild of North America: member
Hedgebrook alum
University of North Carolina (UNC), Chapel Hill, NC, David G. Frey Fellow: foundational voice, accents, awareness, combining audio recording projects with community outreach

PlayMakers Rep: coaching voice, text and accents for the professional company including Julius Caesar, As You Like It, Native Son, The Skin of Our Teeth, Dairyland, Native Gardens, Yoga Play, Emma, Blues for an Alabama Sky.

Shakespeare & Company: voice, text and/or dialect coaching for Henry VI, Part II, Much Ado About Nothing, Measure for Measure, The Merry Wives of Windsor, Taming of the Shrew, The Merchant of Venice, Two Gentlemen of Verona, Or, Ugly Lies the Bone, The Comedy of Errors, Hamlet, The Unexpected Man and Shakespeare and the Language that Shaped a World.
“Making Connections: Combining Voice-Acting and Community Outreach. A Case Study in Coaching Challenges”, sole author, Voice and Speech Review, Volume 16, Issue 1, Routledge, pp. 90-102, DOI: 10.1080/23268263.2021.1968132.

Book review of Turn Taking in Shakespeare by Oliver Morgan, sole reviewer, Voice and Speech Review, Volume 15, Issue 1, Voice and the Artist-Scholar, Routledge, pp. 114-116, 2021. DOI: 10.1080/23268263.2020.1791428

Scenes and Monologues of Spiritual Experience, 136-141, Edited by Roger Ellis, Applause Theatre Books, 2013

More Scenes and Monologues from the Best New Plays, p. 16-20, Edited by Roger Ellis, Meriwether Publishing Co., 2007

The Playwrights’ Center Monologues for Women, p. 160, pp. 161-162, pp. 163-164, Edited by Kristen Gandrow and Polly K. Carl, Heinemann, 2005
The Playwrights’ Center Monologues for Men, pp. 114-115, p. 116, Edited by Kristen Gandrow and Polly K. Carl, Heinemann, 2005

Even More Monologues for Women by Women, p. 126-127, Edited by Tori Haring-Smith, Heinemann, 2001
Established
Academia
Theatrical Coaching
Private Coaching
Other (please specify in the "comment" box below)